Nathan chose to compose a piece for a clip from the British TV show The Last King. This composition demonstrate his expertise in musical scoring and orchestration across various styles and genres, showcasing his versatile musical talents.

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The choice of a dark tone and genre in this piece mirrors Harry Gregson-Williams' work in period films such as The Last Duel, Prince of Persia, and Kingdom of Heaven. The goal was to convey a similar mood and aesthetic, drawing inspiration from Gregson-Williams' use of harmony and unique sound characteristics over conventional melodies to create a rich atmosphere.

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Employing a blend of orchestral and experimental instruments such as strings, brass, woodwinds, synthesisers, and piano helped to create a distinctive soundscape. The structure of the piece was influenced by the narrative progression in 'The Last Duel', with the initial bars focusing on a calm and flowing atmosphere before transitioning into a more intense and dramatic phase.

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Techniques such as playing chords on a C Phrygian scale and gradually introducing additional instruments were used to evoke a historical and ominous ambiance. The composition crescendos into a darker tone and increases tension, culminating in a powerful finale characterised by repetitive rhythms, striking piano staccatos, drums, sustained strings, choirs, and brass instruments. While the piece effectively reflects Gregson-Williams' style, enhancing the ending with a real orchestra could further elevate its impact.